· ULRICH ELLISON - POWER OF SOUL (UEPOS1) ·
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::T R A C K S::
01. SPANISH CASTLE MAGIC
FORMAT: Audio CD / 6 PANEL WALLET |
Outstanding "Hendrix Tribute Disc" by this excellent, world-class guitarist
from Austria which defines true guitar rock artistry with depth, style & vibe.
"Power Of Soul" lands seamless, linear & defies gravity with authentic musical
respect & admiration. Includes eleven awesome, dynamic adaptations of classic,
remarkable, timeless Jimi Hendrix songs performed excellently by Ulrich Ellison
and featuring an impressive "musical tribe" of "Special Guests" in the form of
Chris Farlowe, Tommy Shannon, Greg Koch, David Grissom, Matt Schofield
among others who dig deep & jam together on the "Power Of Soul" disc to
celebrate & honor the phenomenal, prolific, visionary music of Jimi Hendrix.
Interview: Ulrich Ellison Blues Rock Guitar Master
Check out this killer interview with
Martine Ehrenclou of Rock & Blues Muse
MP3 Sample Clips 
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01. SPANISH CASTLE MAGIC |
· reviews ·
Top-flight Austrian blues/rock guitar man Ulrich Ellison unleashes the beast on his new release Power of Soul: A Tribute To Jimi Hendrix.
Available now on Grooveyard Records, Ellison’s set is a creative and artistic tribute to Jimi that expands his vision yet maintains the original spirit of his timeless music. The album also features a number of heavyweight guest appearances from the likes of bassist Tommy Shannon (Stevie Ray Vaughan, Johnny Winter), Texas guitar star David Grissom (John Mellencamp, Allman Brothers, Robert Plant), guitar wizard Greg Koch, top UK blues guitarist Matt Schofield, and vocalist Chris Farlowe (Jimmy Page, Colosseum).
Most of the tracks are supported by Jason McKenzie on tabla and drums and Sabine Ellison on bass. Factor in Ellison’s own talents and deep respect for these songs and you get an ambitious record that succeeds on all levels.
Ellison began work on this project in March of 2020, just before Covid-19 sent the world into lockdown. He cut tracks for two days at a small studio in Austria before being sent into isolation along with the rest of us. Armed with just a guitar and one microphone, he made it his mission to bring Power of Soul into existence. He did it with remote assistance from engineers Obie O’ Brien (Jon Bon Jovi) and Wolfgang Schober as well as Texas music legend Bill Johnson (Austin City Limits). Veteran producer and guitarist Helmuth Bibl also helped to execute the album’s vision in this challenging situation and provided guitars and other equipment when the rest of the world was heading underground.
Ulrich Ellison is a rapidly emerging guitarist and songwriter who makes music that blurs the borderline between blues and modern rock. He’s already created quite a stir in the international roots music scene by winning three Downbeat Awards, a European Blues Award, and three Austin Music Awards. Born in Austria and based in Texas, Ellison spans the distance between European and American sounds in a way few others ever have and hearing him interpret these Hendrix songs is quite an experience.
Ellison’s song choices for the record are absolutely on point. He avoids recreating radio warhorses like “Purple Haze” and “Fire,” instead opting for tastier, less obvious selections. He opens Power of Soul with “Spanish Castle Magic” and instantly begins casting his spell. His guitar tones and playing are raw yet sophisticated and his grooves and lines beyond reproach. His love for this music quickly becomes clear and all you can do is bask in his gracious energy.
The title cut “Power of Soul” is funky, ferocious, and graceful, setting a high bar in terms of guitar and rhythm section interaction. Ellison and his studio cats drop chops and ideas like pocket change and elevate this one into a game-changer. Try your best to hold on as the arrangement heads towards the sky.
“Manic Depression” gets treated to an Indian makeover complete with tabla drums that convey Ellison’s exotic intentions. The guitar playing here is nimble and unusual, making no attempt to be a history lesson on why we all love Jimi. Ulrich gets this all the way right, making it both expressive and respectful.
Every moment of Power of Soul: A Tribute To Jimi Hendrix slays but under no conditions should you miss Ellison’s takes on “Rock Me Baby” and the mighty “Little Wing.” This is the best-conceived Hendrix tribute project in recent memory and maybe ever. Ellison extends Jimi’s legacy in his own way without ever sounding like a cover band or imitator. This is the way we pass it down. This is how we keep it alive.
Mike O’Cull / Rock And Blues Muse (October 2022)
Let’s face it, Hendrix was the finished article - not only was he regarded as one of the most influential electric guitarists in the history of popular music, he’s also one of the most celebrated musicians of the 20th century. His charismatic performances were a breathtaking revelation too. Let’s also remember he was a top songwriter and constantly evolving. It’s a very tall order indeed to meet another artist who can interpret these landmark recordings and somehow meet JH’s elaborate instrumental prowess with energy, passion and power yet give it his own twist - by and large, Ellison has achieved this remarkable feat. Yes, the love pours out for his hero as Ulrich helps advance the narrative of Jimi’s singular, solitary genius. It's a tribute yes but not an emulation, he is a hard-rock auteur with a soulful style bringing his own vision to Jimi's world whether it be the galloping blues of 'Rock Me Baby' fronted by special guest Chris Farlowe or the iridescent sounding 'Angel' which features UK Blues sensation Matt Schofield on additional lead guitar. Ellison's vocals are particularly good especially on the latter as he hits some sweet falsetto notes and does the song justice as it reverberates with joyous confidence. It's interesting to note his choice of material too, yes there are the evergreens like 'Little Wing' where his playful side comes out quoting some of the original licks but also adding his own flavours even sticking in a diminished chord to the usually entrenched chord structure of the tune. It's a delight to listen to maintaining the essence of the man yet still being able to be free, unharnessed and expressive. The North Indian classical intro of 'Manic Depression' adds some intrigue with some nifty tabla playing from drummer, Jason McKenzie, who incidentally lays down a groove (along with bassist Sabine Ellison) that is set in granite for the duration of the album. A tight, well honed power trio that definitely cuts the mustard. 'May This Be Love' is another particular highlight with Ellison's strident guitar playing extending sonic depth and adding density to proceedings. All in all this project is a pure labour of love that shines through with enthusiasm and utter respect done with good grace and tasteful playing. He has set the bar high and picked a great set from the master and with his distinctive interpretations he must be applauded.
Emrys Baird / Blues & Soul (January 2022)
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